The Errant Muse An exhibition catalogue with essay by Deryn Rees-Jones.

The Errant Muse VG&M, Liverpool, UK, 2019 An exhibition review by Professor Paul Coldwell for the Drawing: Research, Theory, Practice research journal, Intellect, 2020.

After the Taking of Tea Ruthin Craft Centre, Wales, 2019 An exhibition catalogue with introduction by Philip Hughes, Director, and text by Ann Jones. .

Remember Me, Wolverhampton Art Gallery, Wolverhampton, UK, 2017 An exhibition catalogue with essay, Woman in Time - a meeting with Charlotte Hodes by Kate Kellaway (staff writer at The Observer). Download the catalogue.

Charlotte Hodes: Women and Pattern The Bowes Museum, County Durham UK, 2019 An exhibition booklet with essay Charlotte Hodes: Pots with a Point of View by Howard Coutts (Keeper of Ceramics).

This essay by researcher and writer, Hannah Westley was commissioned for About Face, a research group at the University of the Arts London that brings together artists, theorists, curators and writers to explore concepts of portraiture and identity. http://aboutfaceconceptsofportraiture.com/essay/now-you-see-me-self-representation-in-the-work-of-charlotte-hodes/

Charlotte Hodes interviewed by Janet McKenzie for Studio International. 'In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the seminal 19th-century publication The Grammar of Ornament (1856), by the architect and designer Owen Jones, to investigate...

Research paper based on material from Charlotte’s inaugural professorial address at London College of Fashion, University of the Arts London, conducted in conversation with the author Professor Paul Coldwell 11.03.14. The paperconsiders the role of drawing within her overall fine art practice, particularly in relationship...

Charlotte Hodes Grammar of Ornament; New Papercuts and Ceramics jaggedart, London & New Hall Art Collection, Cambridge, 2014. An exhibition catalogue with essay by Dr. Janet McKenzie.

Drawing is the way in which I begin. I make pencil drawings and take photos from observation which enable me to construct images in my mind. I do not invent. The drawings become modulated and changed through subsequent drawings, tracings, digital manipulation or as hand...

Drawing Skirts Baring Wing, University of Northumbria, Newcastle 2008Catalogue essay by Charlotte Hodes My interest in using skirts as subject matter within artworks developed out of my period of research as Associate Artist at the Wallace Collection from 2005 -2007. During this time I...

Surfing History Eagle Gallery 1999by Deborah Dean Sitting in her studio in front of three new paintings, Charlotte Hodes talks of how she always considered herself a conventional person but that as time passes she realise the opposite is true. The paintings speak of this contradiction...

Catalogue Introduction Figurines Worcester City Museum & Art Gallery 1993 Deborah Dean Charlotte Hodes’ paintings have an immediate impact, exploding on the eye with a rich diversity of pattern and bright ‘jangling’ colours. They then draw the viewer in and closer looking reveals many...

Charlotte Hodes - Paintings 1991-1992 Eagle Gallery Paula Rego in conversation with Francesca Rossi PR Pattern is like an incantation. You fill in whole areas compulsively like a magic doodle. It is the opposite of modelling a form. When you model a form you have...