Charlotte Hodes

Press

Art in Print, November-December 2018, Volume 8, Number 4

For this volume on poetry and print, poet Deryn Rees-Jones writes about her collaboration with Charlotte Hodes. Perpetual Night is a group of 36 ceramic plates and fragments that bear the text of Rees-Jones’ poem in and around hand-cut screen printed transfer images. Silhouettes of...

Read More »

Edward Thomas at Arras: A Response in Word and Image

Edward Thomas at Arras: A Response in Word and Image by Deryn Rees-Jones and Charlotte Hodes, is a chapter in the new book, Edward Thomas’s Roads from Arras, edited by Andrew McKeown and Adrian Grafe, published by Cambridge Scholars. Rees-Jones and Hodes reflect on their...

Read More »

About Face 2016

Together with artist, Eileen Hogan, Charlotte is leading a research group at the University of the Arts London that brings together artists, theorists, curators and writers to explore concepts of portraiture. http://aboutfaceconceptsofportraiture.com Commissioned and published essays include ‘Now You See Me: Self-representation in the...

Read More »

Interview, Studio International 16.07.14

Charlotte Hodes interviewed by Janet McKenzie for Studio International.'In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the seminal 19th-century publication The Grammar of Ornament (1856), by the architect and designer Owen Jones, to investigate the relationship...

Read More »