MAI: Feminism & Visual Culture publication Autumn 2021
Charlotte Hodes has been published in the Autumn 2021 edition of MAI: Feminism & Visual Culture under the journal's theme Feminist Craft.
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For this volume on poetry and print, poet Deryn Rees-Jones writes about her collaboration with Charlotte Hodes. Perpetual Night is a group of 36 ceramic plates and fragments that bear the text of Rees-Jones’ poem in and around hand-cut screen printed transfer images. Silhouettes of...
Edward Thomas at Arras: A Response in Word and Image by Deryn Rees-Jones and Charlotte Hodes, is a chapter in the new book, Edward Thomas’s Roads from Arras, edited by Andrew McKeown and Adrian Grafe, published by Cambridge Scholars. Rees-Jones and Hodes reflect on their...
In an interview with Faculti, an international academic platform, Charlotte Hodes talks about her recent project Dressed in Pattern.https://faculti.net/dressed-in-pattern/ Dressed in Pattern 2014-2016 was the outcome of research made into the Spode ceramic factory’s archive of engravings, held at the...
The British Academy have recently loaned Hodes’ painting, Flower Panel II, to accompany Flower Panel I which has been on display at the Academy since 2010. Both paintings are now hanging together in the Lecture Hall. Flower Panel I & II were made in 1982...
During her visit as Guest Artist-in-Residence at The Clay Studio, Philadelphia last Autumn, Charlotte was interviewed by Stephanie Bolton for the Women in Art Initiative at University of Pennsylvania. Whilst at The Clay Studio she worked on a new collection of ceramic vessels, exhibited in...
Together with artist, Eileen Hogan, Charlotte is leading a research group at the University of the Arts London that brings together artists, theorists, curators and writers to explore concepts of portraiture. http://aboutfaceconceptsofportraiture.com Commissioned and published essays include ‘Now You See Me: Self-representation in the...
‘Both patterns and politics drive the work of Charlotte Hodes, as Rosie Howell discovers when she talks to the artist about her collaboration with Spode.’ Download PDF
Charlotte Hodes interviewed by Janet McKenzie for Studio International.'In The Grammar of Ornament: New Paper Cuts and Ceramics, artist Charlotte Hodes takes as her cue the seminal 19th-century publication The Grammar of Ornament (1856), by the architect and designer Owen Jones, to investigate the relationship...
Research paper based on material from Charlotte’s inaugural professorial address at London College of Fashion, University of the Arts London, conducted in conversation with the author Professor Paul Coldwell 11.03.14. The paper considers the role of drawing within her overall fine art practice, particularly in...
’For her latest collection of collage and ceramics, Charlotte Hodes responded to architect Owen Jones’s 1856 classic The Grammar of Ornament, and the results, says Charlotte Abrahams, are enthralling.’ http://www.charlotteabrahams.com/wp-content/uploads/2012/04/247MA14FE-Hodes-gl3.pdf Charlotte Abrahams blog
Studio International May 2013 Re-Found: A Variety of Sources Given New Contexts at JaggedArt by Dr. Janet McKenzie http://www.studiointernational.com/index.php/re-found-sara-beazley-charlotte-hodes-maria-noel Download PDF
Article in ‘Cassone’ online journal Re-Found: A variety of sources given new contexts 22 May 2013http://www.cassone-art.com Download PDF
Article in 'La Revue de la Ceramique et du Verre'No. 186 Sept-Oct 2012 Download PDF
