Conversations en Plein Air was first shown at the Ariana Museum in 2023. It presents a playful analogy between French 18th century ‘Fêtes galantes’ paintings, Manet’s Le Déjeuner sur l’herbe and the picnic as a pertinent metaphor for our experience during the Covid-19 pandemic.
The pandemic altered our relationship to the indoors as a claustrophobic, constraining space that was alleviated by the limited, and therefore heightened experience of the outdoors. The subtext to the picnic is that of women making contact, endeavouring through various means, such as mobile phones, paper aeroplanes and megaphones to communicate with each other from afar. Depicted on tableware, vases and in papercuts, they appear marooned as if on small islands.Their desire and ability to partake in such seemingly informal gatherings is disrupted by their need to make contact beyond their immediate environment.
Recurring Intricacies, The Sherborne, UK – 2025
Collective Care, LCF, University of the Arts London, UK – 2024
Conversations en Plein Air, Inverness Museum & Art Gallery, Scotland, UK – 2024
Conversations en Plein Air, Musée Ariana, Geneva, Switzerland – 2023-2024
Banner image: Déjeuner sur l’herbe section of Conversations en Plein Air installation, hand-cut enamel transfer china tableware, dimensions variable.
Scroll gallery: (1) The Picnic, papercut, 134 x 212 cm; (2) installation at Musée Ariana, Geneva; (3) The Picnic (detail), papercut, 134 x 212 cm; (4) Vase #22, #18, #23, #25, #26, colour slip and hand-cut enamel transfer on earthenware, 32 x 16 cm & 40 x 16 cm; (5) Plate and ceramic fragments, part of the installation, hand-cut enamel transfer china tableware, plate 31 cm diam, fragments variable; (6 & 7) installation at Musée Ariana, Geneva.
Photo credits: Peter Abrahams (papercuts); Joel Chester Fildes (tableware); Boris Dunand (installation); Sylvain Deleu (ceramic vases).
Vases: Technical support Kayleigh Peters Ceramics





